Batman Finally Admits The Bat-Signal Does the Exact Opposite of What He Wanted

Warning! Contains Spoilers For Batman: The Brave and the Bold #7!


  • Batman realizes that the Bat-Signal is counter-intuitive as it reveals his location to criminals, giving them time to commit crimes elsewhere.
  • The Bat-Signal, while iconic, has a major flaw – it lets criminals know where Batman is heading, allowing them to act with impunity elsewhere.
  • Batman acknowledges that the Bat-Signal doesn’t make much sense, as it goes against his ninja-like stealth and reliance on fear.

From his Bat-suit to the Batmobile, Batman has many classic symbols and gadgets, but the most iconic is without a doubt the Bat-Signal. Whenever there’s a major crime going on — or Gordon just wants to scare some criminals — the Commissioner will flash the Bat-Signal in the sky to get Batman’s attention. Recently, Batman has finally noticed how counter-intuitive the Bat-Signal actually is.

As Batman is training to regain his memory after a bout of amnesia in the story “Pygmalion” by Guillem March and Arif Prianto from Batman: The Brave and the Bold #7, he ends up seeing the Bat-Signal in the sky. Still wanting to function as Batman despite the memory loss, he heads over to the Bat-Signal to see what Gordon wants. This results in the amnesiac Batman commenting on what a potentially bad idea the Bat-Signal is.

Comic book panels: an older man (Commissioner Gordon) stands in front of the yellow Bat-Signal as he talks to Batman.

Since Batman cares about his secret identity, he can’t exactly give the police a phone number or something, but what he has done is instead give criminals an exact way to know where he is. While it’s meant to strike fear in the hearts of criminals, it instead lets every criminal know that Batman is busy at the GCPD headquarters.


Batman’s Bat-Signal Has Been Transformed Into A Deadly Weapon

In DC vs. Vampires, Batman’s Bat-Signal was just turned into a deadly weapon, as its activation is the perfect vampire killer in the dark universe.

Batman Realizes the Bat-Signal Tells Criminals He’s Occupied

Full comic book page: Batman seees the Batsignal in Gotham while on a rooftop.

The Bat-Signal has existed for decades in Batman’s mythos and functions as both a symbol of hope and a way to summon Batman. The signal is supposed to send a message to criminals that Batman is on his way and a message to civilians that help is coming. While these are nice ideas, an amnesiac Batman has a fresh pair of eyes to look at this concept and has noticed a massive flaw. While it’s certainly necessary to be able to summon Batman, the Bat-Signal being on means Batman isn’t actively on the streets; he’s heading to the GCPD, which allows criminals to act with impunity for a period.

When the Bat-Signal hits the sky, every criminal knows exactly where Batman is heading. This means criminals across town have plenty of time to rob a bank or commit some other crime, since Batman is busy at the GCPD. Even if he’s somehow aware of a crime happening across town, there’s no way he could possibly get there in time. This is a huge oversight, considering what the Bat-Signal is meant to do. It’s supposed to strike fear into the hearts of criminals by letting them know Batman is actively moving around the city, but everyone knows where he’s moving to.

Batman’s Bat-Signal Has One Huge Flaw

Comic book panel: Catwoman standing on a roof as Batman leaps away with the Bat-Signal in the distance.

The idea of the Bat-Signal never really made much sense on closer scrutiny. Batman is essentially a ninja who relies on fear to strike terror into the hearts of criminals. But he also uses a giant flashlight that announces his presence to everyone to communicate with the police. While there’s no denying that the Bat-Signal is an iconic and important part of Batman’s history, Batman himself has pointed out that it really doesn’t make much sense.

Batman: The Brave and the Bold #7 is available now from DC Comics!


Batman The Brave and the Bold 7 Main Cover: Two versions of Batman fighting each other as they fall from a building.

  • Writer: Guillem March, Kyle Starks, Gabriel Hardman, Matthew Rosenberg
  • Artist: Guillem March, Fernando Pasarin, Gabriel Hardman, Matteo Scalera
  • Inker: Oclair Albert, Wade Von Grawbadger
  • Colorist: Arif Prianto, Matt Herms, Matt Hollingsworth
  • Letterer: Guillem March, Rob Leigh, Simon Bowland, Clayton Cowles
  • Cover Artist: Simone Di Meo

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